DiGiCo SD8

DiGiCo SD8

The SD8 is a particularly versatile console with the same Stealth Digital Processing and floating point Super FPGA technology seen in the flagship SD7. The SD8 offers a truly superlative performance at a competitive price, something which will appeal to engineers across the board.

There are two versions of the SD8: a 37-channel version, which boasts three banks of 12 motorised faders and one master fader; and the SD8-24, which has all the same power and functionality but in a smaller frame comprising 24 main channel faders and a master fader.

At the heart of each console’s worksurface is a 15-inch, high resolution TFT LCD touch screen with backlit display. Through this user-friendly interface, any bank of 12 faders can be instantly assigned as input or output channels, allowing all 36 main faders to control inputs if desired; equally, any bank of 12 can also be assigned to the touch screen for fine-tuning.

In addition, the SD8 benefits from dedicated multi-function control knobs and electronic labelling.

• 120 Input Channels
• 48 Aux / Sub-Group Busses
• LR/LCR/LCRS Master Buss
• 16 x 16 Full Processing Matrix
• 190 Dynamic Equalizers
• 48/96kHz Sample Rate

Under The Hood

Underpinning the SD8’s versatility are 120 input channels at 48kHz/96kHz, offering channel processing across both inputs and outputs of Channel Delay, Single and Multi-Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).

Any of the powerful 190 Dynamic EQ processors can be assigned to any of the input or output channels, offering dynamic processing on each of the four standard parametric bands, in addition to the 190 Multiband Compressors and 190 DiGiTuBes. Regardless of how the console is set up all the channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 24 gangable 32-band graphic EQs, 16 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, you can switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, 48 busses are assignable as mono/stereo groups or auxiliaries, while a 16×16 output matrix, dual solo busses, and a Master buss is available for even deeper configurability.

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